Prodigal
Summer. Barbara
Kingsolver. Harper-Collins
Publishers, Perennial, New York.
2001. Softbound.
Change
in the American West. Exploring
the Human Dimension.
Stephen Tchudi, Editor. University of Nevada Press, Reno,
Nevada. 1996.
Hardcover.
There
are as many different reasons for reading as there are books to read.
There’s education, there’s enlightenment, and then
there’s plain old entertainment.
Barbara Kingsolver’s Prodigal Summer would provide a
great vacation read. In
fact, my cousin loaned me a copy so I could read it last summer, but I
resisted because I hadn’t liked earlier books by the author.
Now, after spending the weekend curled in front of my fireplace
with Prodigal Summer, I wish I hadn’t resisted.
Prodigal
Summer
is really three stories in one book.
These are not presented one after the other, but with alternate
episodes throughout the book. Kingsolver
has named each storyline differently: “Predators,” “Moth
Love,” and “Old Chestnuts.”
Instead of using chapter titles, Kingsolver just provides the
story title and picks up where she left off; sometimes she follows a
pattern in moving between stories and sometimes she doesn’t.
All three stories are set in the same geographic area—one
special mountain and the valley below, somewhere in Kentucky—and in
the close-knit way of mountain kin, characters from one story are
related to some in another story.
“Predators”
tells the story of wilderness ranger Deanna Wolfe, a grant recipient
who has convinced the local Forest Service and Park Service officials
that she should monitor an entire mountainside.
She was born and bred in the valley below and has returned to
her homeplace with her grant monies to avoid contact with the rest of
society, as well as study canid predators.
She lives alone in a primitive cabin and a young Forest Service
employee delivers her groceries and kerosene once a month.
In
the opening pages of the book, Deanna tracks an animal.
It is later revealed that she is a life-long student of the
coyote and believes that a pack has finally moved to her mountain.
As she tracks one day, she meets a stranger on the mountain,
the elusive Eddie Bondo:
And there
he stood, looking straight at her. . . . Surprise must have stormed
all over her face before she thought to arrange it for human
inspection. . . .she always saw them first.
This one had stolen her advent—he’d seen inside her.
In
“Moth Love,” we follow the backwards story of the marriage between
Lusa and Cole Widener. It’s
backwards because the newlywed groom is killed in a truck accident
soon after their marriage at the beginning of this story, and the
young widow only comes to truly know her husband through his five
sisters and brothers-in-law and uncounted nieces and nephews, all of
whom surround the family farm she now finds as her home.
Lusa also learns much from the honeysuckle, the fruit trees,
and the garden on the farm. During
the course of the story, she rids her pasture of cattle and populates
it with meat goats, planning to sell them to her cousin the butcher in
New York City. Lusa is an
outsider, an educated city girl, and a modern woman, and she keeps her
maiden name until after her husband’s death.
In the end, Lusa decides to remain on the family farm and to
adopt a niece and nephew when her terminally-ill sister-in-law dies.
Lusa explains her plans to at last take her husband’s name to
her sister-in-law:
“It’s
just seems right to [adopt them],” Lusa explained, feeling
self-conscious. “I’m
thinking I’d add ‘Widener’ to their names, if that’s all right
with you. I’m taking it
too.”
“Moth
Love” is a story of the changes that overtake both Lusa and her
husband’s family, and how they come together in warm and loving
synergy.
The
third and final story unfolds as Garnett Walker, a widower and devout
fundamentalist Christian, comes to terms with his life-long neighbor,
organic farmer Nannie Rawley. Nannie
is a complex, intelligent woman whose past includes the birth (and
loss) of a developmentally disabled child.
Nannie sneaks out at night to move her “no spray” signs far
enough down the road to ensure that drifting pesticides and herbicides
from neighboring farms, including Garnett’s, don’t invade her
apple orchard. But, the
widower neighbor is not simple and straightforward, either.
He is spending his retirement years cross-breeding American
chestnuts with the Chinese chestnut in an attempt to create a
blight-resistant tree that could repopulate the local mountain.
In a wonderful finish, Garnett storms down to Nannie’s garden
to protect her from a man who has been hanging around suspiciously for
two days. With surprise
and consternation, Nannie says:
“And you
came over here with your shotgun to protect me from my scarecrow?”
“I had to,” Garnett said, spreading his hands, throwing
himself on her mercy. “I
didn’t care for the way Buddy was looking at you in your short
pants.”
According
to Barbara Kingsolver’s website (www.kingsolver.com),
she left her native Kentucky to attend DePauw University in Indiana,
where she majored in biology. In
the 1980s, she pursued graduate studies in biology and ecology at the
University of Arizona in Tucson, where she received a Master of
Science degree. Her
understanding of ecology is evident in Prodigal Summer.
Besides
this admirable factual basis, the book is just a plain good read. I do have some criticisms, though. Deanna Wolfe, defender of Clinch Mountain,
tumbles—practically upon meeting—into bed with a man almost young
enough to be her son, ends up getting pregnant, and allows the
erstwhile father to wander away to his next adventure.
Good grief—these times demand “safe sex.”
Also,
I don’t think “Predators” did a good job with the dichotomy
between locals who hunt (or poach) on the mountain and the outside
interests who want to “preserve nature” so they can just see it as
the drive down the highway. There
is an enormous chasm between what the locals may want and need, and
what taxpayers who live thousands of miles away may want and need.
Kingsolver doesn’t paint a realistic picture in this respect.
I
can rightly be accused of many things:
being focused on the issues of the West and the rural
landscape; reading only the writers I really like and not venturing
past page 3 of those who don’t share my sensibilities of the natural
world; being geo-centric and probably age-centric (how did everybody
get to be so young?) but I can’t be accused of not liking a good
read. And so, I recommend
Prodigal Summer to everyone else who finds themselves in that
last category, too.
Change
in the American West. Exploring the Human Dimension presents 19 “serious” writers who try
to make sense out of the day-to-day lives of those of us who work,
live in, or love the West, and who discuss why this region is
different now than it used to be.
This relatively small (250 page) volume includes some poetry, a
short story, and several personal essays, but many pieces are
factual articles focused on the goal of looking at “some individual
elements and events” that have led to the West we now know.
The tone of the book was immediately set for me by the
inscription from the flyleaf:
As the
ancient bird,
the
halcyon,
calmed the
waters
in the
face of winter gales
so can the
humanities
calm our
fears and launch
us on our
quest.
The
Editor’s Note offers a brief, compelling synopsis of each of the
entries. These include: “Basque
American Identity: Past
Perspectives and Future Prospects”; “Inside the Glitter:
Portraits of Workers in Nevada’s Casino Industry”; and
“Wisecracking Glen Canyon Dam:
Revisioning Environmental Mythology,” among others.
While
this book does not offer light entertainment, you can read it to see
how others, especially nonscientists, view the work we do in the
applied sciences—forestry, range, water, wildlife biology, or
fisheries. Change in
the American West is thought-provoking.
Any effort needed to “get” the pieces in this book will be
well worth it.